“Members Club” positions itself at the intersection of horror and comedy, a hybrid genre that promises both laughter and terror. Its opening scene sets the tone with irony, starting with the character Geoff, who blatantly disregards a ‘No Dogging’ sign. This bold transgression is met with extreme violence—a signature move in horror comedies where the
Events
E.L. Katz’s film, “Azrael: Angel of Death,” triumphantly weaves a gripping tale set against the backdrop of a post-apocalyptic landscape. From its opening lines, the film establishes a situation that manipulates the traditional narratives of both horror and spirituality. It draws the viewer into a world that exists years after a catastrophic event often interpreted
The universe’s vastness poses a question that has haunted humanity: are we the sole owners of consciousness in this infinite expanse, or are there others awaiting our discovery? This profound inquiry resonates through writer-director Josephine Rose’s debut feature, Touchdown. Opening with a quote from renowned sci-fi author Arthur C. Clarke, Rose sets the stage for
Daniel Kokotajlo’s latest endeavor, Starve Acre, draws on quintessential influences from the realm of folk horror, reminiscent of classic works like Jerzy Skolimowski’s The Shout and Robin Hardy’s The Wicker Man. Set against the evocative backdrop of Yorkshire, the film skillfully intertwines sound, visuals, and narrative to create an atmosphere thick with tension and unease.